Pressing the Flesh
Bibliographic Data
| ID | 7435895 |
|---|---|
| Authors | Nicholas Chare (The University of Melbourne, corresponding author) |
| Year | 2012 |
| Volume | 18 |
| Issue | 2 |
| Pages | 95-99 |
| Publication date | 2012-04-30 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Parallax (JOURNAL) |
| Journal identifiers | ISSN: 1353-4645 • E-ISSN: 1460-700X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/13534645.2012.672249 |
| OpenAlex | W1977323432 |
| Language | EN |
Click to increase image sizeClick to decrease image size Notes 1 Timothy James Clark, The Sight of Death: An Experiment in Art Writing (New Haven: Yale University Press, 2006), pp.122-23. 2 For a fuller discussion of advertisements of female athletes in relation to patriarchy see my essay ‘Sports Unillustrated: The Female Athlete as Representational Absence’, in Catherine Kevin, ed., Feminism and the Body: Interdisciplinary Perspectives (Newcastle: Cambridge Scholars Publishing, 2009), pp.178-93. 3 Tim Ingold, Being Alive: Essays on Movement, Knowledge, and Description (London: Routledge, 2011), pp.19-32. 4 Wolfgang Sofsky, The Order of Terror: The Concentration Camp, trans. William Templer (Princeton: Princeton University Press, 1997), pp.65-72; pp.223-40. 5 Wolfgang Sofsky, The Order of Terror, p.227. 6 Alain Corbin, Le miasme et la jonquille (Paris: Éditions Aubier Montaigne, 1982), p.70
| Citation velocity | historical |
|---|---|
| Highly cited | No |