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Let There Be Light

Wauja People and the Practice of Photographic Primitivism in Sebastião Salgado's Genesis

Dados Bibliográficos

ID7436285
AutoresChristopher G Ball (0000-0001-6572-7102, autor correspondente), Christopher Ball (0000-0003-2164-4107)
Ano2017
Volume33
Fascículo1
Páginas28-37
Data de publicação2017-05-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoVisual Anthropology Review (JOURNAL)
Identificadores do periódicoISSN: 1058-7187 • E-ISSN: 1548-7458
EditoraWiley (PUBLISHER • GB)
DOI10.1111/var.12119
OpenAlexW2611222729
IdiomaEN
Citações recebidas4
Referências citadas33

Sebastião Salgado's 2013 photographic book Genesis is analyzed as a work of primitivist realism. This analysis is based on ethnography of the photographer's encounter with Wauja people in Brazil in 2005 while he was taking photographs for the book. Primitivism has a long history in the production of images of indigenous subjects in anthropology, and it often projects through its images a narrative suggesting a separation between the modern and the premodern. The realist dimensions of photography reinscribe the spatiotemporal divide, whereas the artistic dimensions of Salgado's black‐and‐white images of indigenous people featured in Genesis suggest romantic nostalgia

Archaeology · Art · Art history · Ethnography · Indigenous · Literature · Narrative · Photography · Realism · Romance · Visual arts · White (mutation · Anthropological Studies and Insights · Geographies of human-animal interactions · History · Photography and Visual Culture

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Obras citantes distintas4
Citações por ano0,4
Intervalo de citações2016 - 2026 (11)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 4
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