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Contemporary Anti-Caste Cinema

Pa. Ranjith, Dalit Movements, Cultural Assertion and the Politics of Representation in Mainstream Tamil Cinema

Bibliographic Data

ID7474448
AuthorsSree Govind Bharatvaraj (0000-0003-4178-6954, Jain University, corresponding author)
Year2026
Volume49
Issue1
Pages167-187
Publication date2026-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSouth Asia Journal of South Asian Studies (JOURNAL)
Journal identifiersISSN: 0085-6401 • E-ISSN: 1479-0270
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00856401.2025.2592504
OpenAlexW7118703571
LanguageEN
Citations received1

The recent anti-caste cinema trend within the Tamil film industry has created widespread discussion in the public sphere. While early Tamil filmmakers have already engaged with caste-critical themes in their works, the contemporary trend is novel in its approach as it focuses on Dalit experiences and Ambedkarite politics. This paper situates this cinematic shift within the broader context of the Dalit political movements of the 1990s. Director Pa. Ranjith’s intervention in the Tamil film industry marks a transformative movement in the representational politics of Tamil cinema. In this article, I explore how the contemporary anti-caste cinema initiated by Ranjith differs from the caste-critical works of early Tamil filmmakers. I explore how Ranjith has reassessed and rearticulated Dalit life and culture in the cinematic space. I argue that this trend should not be understood as ‘anti-caste cinema’, but recognised as ‘Dalit cinema’.

Assertion · Mainstream · Politics · Representation (politics · Tamil · Social and Economic Development in India · South Asian Cinema and Culture · South Asian Studies and Diaspora

  • Casting the Historical

    Open Access•Dickens Leonard•South Asian Review•2026

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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