"The 100" and the social contract of social TV
Bibliographic Data
| ID | 7500076 |
|---|---|
| Authors | Myles Mcnutt (corresponding author) |
| Year | 2018 |
| Volume | 26 |
| Publication date | 2018-03-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transformative Works and Cultures (JOURNAL) |
| Journal identifiers | ISSN: 1941-2258 • E-ISSN: 1941-2258 |
| Publisher | Organization for Transformative Works (PUBLISHER • US) |
| DOI | 10.3983/twc.2018.1297 |
| OpenAlex | W2793112809 |
| Language | EN |
| Citations received | 4 |
I explore how the controversy surrounding an LGBT story line on The 100 (2014–) points to the shifting social contracts of social media engagement between fans and the TV industry, as well as the challenges faced by fans and critics who attempted to solidify that contract in the wake of said controversy
Advertising · Business · Media studies · Political science · Politics · Public relations · Social contract · Social media · Sociology · Cinema and Media Studies · Gender, Feminism, and Media · Media Studies and Communication · Law
| Unique citing works | 4 |
|---|---|
| Citations per year | 0.8 |
| Citation span | 2021 - 2026 (6) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 4 |