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Vampires Suck

Parallel Narratives in the Marginalization of the Other

Bibliographic Data

ID7500489
AuthorsTia Sherèe Gaynor (0000-0002-7712-6256, Marist College, corresponding author)
Year2014
Volume36
Issue3
Pages348-372
Publication date2014-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAdministrative Theory & Praxis (JOURNAL)
Journal identifiersISSN: 1084-1806 • E-ISSN: 1949-0461
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.2753/atp1084-1806360305
OpenAlexW2318112548
LanguageEN
Citations received11
References cited24

This article uses content and discourse analysis to identify parallel narratives in the HBO series True Blood and American society, then applies Young's politics of difference to identify counternarratives suggesting that knowledge, culture, and customs are not universal. The three primary characteristics of the politics of difference—democratic cultural pluralism, equality, and postmodernism—provide a lens to explore the identified narratives. It is argued that American discourse, like True Blood, is embedded with strategies of Othering that shape policy design and implementation in such a way as to benefit those deemed advantaged

Aesthetics · Democracy · Epistemology · Linguistics · Narrative · Pluralism (philosophy · Political science · Politics · Post modernism · Postmodernism · Sociology · Gender, Feminism, and Media · Media Studies and Communication · Rhetoric and Communication Studies · Gender Studies · Law · Philosophy

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Unique citing works11
Citations per year1,1
Citation span2016 - 2024 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 11

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