The Web as Television Reimagined? Online Networks and the Pursuit of Legacy Media
Bibliographic Data
| ID | 7500657 |
|---|---|
| Authors | Aymar Jean Christian (0000-0003-1953-0266, Northwestern University, Evanston, IL, USA, corresponding author) |
| Year | 2012 |
| Volume | 36 |
| Issue | 4 |
| Pages | 340-356 |
| Publication date | 2012-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Communication Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 0196-8599 • E-ISSN: 1552-4612 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0196859912462604 |
| OpenAlex | W2138038949 |
| Language | EN |
| Citations received | 6 |
| References cited | 21 |
Television’s perceived weakness at the turn of the century opened a rhetorical and economic space for entrepreneurs eager to curate and distribute web programs. These companies introduced various forms of experimentation they associated with the advantages of digital technologies, but they also maintained continuity with television’s business practices. This dialectic between old and new, continuity and change, insiders and outsiders, reflected the instability of television as a concept and the promise of the web as an alternative. Using articles in the trade press, this essay explores the history of episodic web programming—variously called web series, webisodes, bitcoms, web television and, in its earliest form, cybersoaps—as new media network executives hoped to replicate but also differentiate themselves from legacy media
Advertising · Art · Business · Dialectic · Literature · Media studies · Rhetorical question · Sociology · Television studies · Computer Science · Media Studies and Communication · Radio, Podcasts, and Digital Media · Social Media and Politics
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| Unique citing works | 6 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2014 - 2022 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |