Reality TV
Bibliographic Data
| ID | 7510173 |
|---|---|
| Authors | Annette Hill (0000-0002-8955-7184, corresponding author) |
| Year | 2014 |
| Pages | 184 |
| Publication date | 2014-11-13 |
| Open Access | No |
| Type | BOOK |
| Venue | Reality Tv (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203082195 |
| OpenAlex | W4252491554 |
| Open Library | OL53978694M |
| ISBN | 9780203082195 |
| Language | EN |
| Citations received | 8 |
Reality TV is popular entertainment. And yet a common way to start a conversation about it is ‘I wouldn’t want anyone to know this but...’ Why do people love and love to hate reality TV? This book explores reality TV in all its forms - from competitive talent shows to reality soaps - examining a range of programmes from the mundane to those that revel in the spectacle of excess. Annette Hill’s research draws on interviews with television producers on the market of reality TV and audience research with over fifteen thousand participants during a fifteen year period. Key themes in the book include the phenomenon of reality TV as a new kind of inter-generic space; the rise of reality entertainment formats and producer intervention; audiences, fans and anti-fans; the spectacle of reality and sports entertainment; and the ways real people and celebrities perform themselves in cross-media content. Reality TV explores how this form of popular entertainment invites audiences to riff on reality, to debate and reject reality claims, making it ideal for students of media and cultural studies seeking a broader understanding of how media connects with trends in society and culture
Art · Media studies · Reality tv · Sociology · Gender, Feminism, and Media · Media Studies and Communication · Reality television programs
What’s the Deal? Trump, Fichte’s Closed Commercial State, and the Perverse Dialectic of Neoliberal Risk
Learning From Love Island? Diversification of the Hegemonic Man
Love Island, Social Media, and Sousveillance
Genres and inequality in the creative industries
The hostages’ release by Hamas
Comic investigation and genre-mixing
LGBT+ mainstreaming on strictly come dancing
Cooking Shows as Gender Edutainment in Authoritarian Regimes
| Unique citing works | 8 |
|---|---|
| Citations per year | 1,14 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 8 |