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Popular newspaper discourse

The case of UK TV criticism from the 1950s to the 1980s

Bibliographic Data

ID7512958
AuthorsPaul Rixon (0000-0002-8704-4289, University of Roehampton, corresponding author)
Year2014
Volume15
Issue2
Pages314-330
Publication date2014-07-21
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Historical Pragmatics (JOURNAL)
Journal identifiersISSN: 1566-5852 • E-ISSN: 1569-9854
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/jhp.15.2.08rix
OpenAlexW2017102437
LanguageEN
Citations received4
References cited7

Journalistic discourse, the world over, has developed over time, reflecting changes in the news industry and the wider society. Likewise television criticism, a specific form of journalism, has also had to evolve over time. Initially, as television critics sought recognition and respectability in the quality newspapers, they developed a form of writing similar to the way other forms of culture and art were reviewed. However, as journalists began to develop more popular ways of writing, and with the spread of soft news throughout newspapers and into new magazine supplements, television critics also found themselves having to follow suit. This was such that by the 1970s a number of critics had moved away from trying to mimic other forms of reviewing or criticism to creating their own, more popular form of discourse. In this article I will explore some of the ways the language of critics changed between the 1950s and the 1980s, and how these developments were similar or different to the wider changes in journalism happening at this time

Art · Criticism · Epistemology · Happening · Journalism · Literature · Media studies · Newspaper · Political science · Quality (philosophy · Sociology · History · Media Studies and Communication · Philosophy

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Unique citing works4
Citations per year0,36
Citation span2015 - 2018 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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