The Soldier’s Tale

Part 1

Bibliographic Data

ID7514387
AuthorsDavid Hopkins (0000-0001-5521-7408, corresponding author)
Year2026
Volume137
Issue1
Pages1-23
Publication date2026-01-02
Open AccessYes
TypeARTICLE
VenueFolklore (JOURNAL)
Journal identifiersISSN: 0015-587X • E-ISSN: 1469-8315
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0015587x.2025.2592460
OpenAlexW7133894715
LanguageEN
Citations received1
References cited12

I explore the role of soldiers as storytellers, and their influence on the development of the European fairy tale tradition. Camps and barracks functioned as ‘involuntary communities’ where oral narratives flourished, challenging the assumption that the fairy tale was a female genre. Drawing on the Grimms, Hungarian collections, and French nineteenth-century sociographic literature, the study reconstructs the ‘barracks tale’ as a distinct narrative form marked by call-and-response formulae, rhythmic patterns, and coarse humour. Fairy-tale protagonists reveal the soldier as both victim and trickster. Through analysis of key tale-types, I show how soldiers were vectors of fairy tale diffusion through multilingual European armies. Their tales, although often violent and misogynistic, reflect the lived realities of rank-and-file life—discipline, hardship, alienation, and some measure of comradeship—translated into the language of fantasy. Common soldiers used storytelling to assert a distinct military identity, and their own agency within otherwise authoritarian institutions.

Agency (philosophy) · Authoritarianism · Key (lock) · Narrative · Storytelling · American and British Literature Analysis · Gender, Security, and Conflict · World Wars: History, Literature, and Impact

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