The Popularity of Waranggana Tayub Malang through Body Exploitation
Bibliographic Data
| ID | 7517565 |
|---|---|
| Authors | Robby Hidajat (0000-0003-4252-1536, corresponding author) |
| Year | 2014 |
| Volume | 14 |
| Issue | 2 |
| Pages | 72-72 |
| Publication date | 2014-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Harmonia Journal of Arts Research and Education (JOURNAL) |
| Journal identifiers | ISSN: 1411-5115 • E-ISSN: 2541-2426 |
| Publisher | Universitas Negeri Semarang (PUBLISHER • ID) |
| DOI | 10.15294/harmonia.v14i2.3288 |
| OpenAlex | W2095548828 |
| Language | EN |
| Citations received | 3 |
| References cited | 4 |
Tayub is a ronggeng type of dance performance. It is widely performed in Javanese regions.Originally, Tayub functioned as a fertility ritual; then it developed as entertainment. The growth of Tayub in Malang in the 1950s was intended for identity and the main dancer called tandak was changed to Waranggana . As a result, there was a transformation in the form of the dancer’s body: (1) exploring body-initiating identity, (2) manipulating the body through magical effect, and (3) body consumptive economization and love ruse. The qualitative method was used with an art phenomenological model in this study. The data were collected using interview and observation methods and was analyzed interpretatively. The result of the research was that female body interpretation is politicized to survive creatively, in order to maintain popularity and to support the lifestyle of the artist
Aesthetics · Art · Dance · Entertainment · Identity (music · Interpretation (philosophy · Popularity · Sociology · Visual arts · Computer Science · Cultural and Artistic Studies · Folklore, Mythology, and Literature Studies · Human Motion and Animation · Psychology · Social Psychology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,43 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |