The Creation and Construction of Asian Cinema Redux
Bibliographic Data
| ID | 7518222 |
|---|---|
| Authors | Norne (corresponding author), Nornes Nornes (corresponding author) |
| Year | 2013 |
| Volume | 25 |
| Issue | 1-2 |
| Pages | 175-175 |
| Publication date | 2013-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Film History (JOURNAL) |
| Journal identifiers | ISSN: 0892-2160 • E-ISSN: 1553-3905 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/filmhistory.25.1-2.175 |
| OpenAlex | W3149025493 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
This article looks back to the first book imagining an "Asian cinema," which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a regionalization of film history
Art · Movie theater · Redux · Visual arts · Asian Culture and Media Studies · Engineering · Hong Kong and Taiwan Politics · Japanese History and Culture
| Citations per year | 0.29 |
|---|---|
| Citation span | 2019 - 2019 (1) |
| Highly cited | No |