Digital Zapatistas
Bibliographic Data
| ID | 7518735 |
|---|---|
| Authors | Jill Lane (Jill Lane is Assistant Professor of Global Studies at Ohio State University, where she teaches performance and cultural studies of the Americas. Her book, Blackface Cuba: Racial Impersonation, National Desire, and Anticolonial Performance, is forthcoming from the University of Pennsylvania Press., corresponding author) |
| Year | 2003 |
| Volume | 47 |
| Issue | 2 |
| Pages | 129-144 |
| Publication date | 2003-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1162/105420403321921274 |
| OpenAlex | W4231665482 |
| Language | EN |
| Citations received | 9 |
| References cited | 1 |
June 01 2003 Digital Zapatistas Jill Lane Jill Lane Jill Lane is Assistant Professor of Global Studies at Ohio State University, where she teaches performance and cultural studies of the Americas. Her book, Blackface Cuba: Racial Impersonation, National Desire, and Anticolonial Performance, is forthcoming from the University of Pennsylvania Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Jill Lane Jill Lane is Assistant Professor of Global Studies at Ohio State University, where she teaches performance and cultural studies of the Americas. Her book, Blackface Cuba: Racial Impersonation, National Desire, and Anticolonial Performance, is forthcoming from the University of Pennsylvania Press. Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2003 New York University and the Massachusetts Institute of Technology2003 TDR/The Drama Review (2003) 47 (2 (178)): 129–144. https://doi.org/10.1162/105420403321921274 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Jill Lane; Digital Zapatistas. TDR/The Drama Review 2003; 47: 2 (178), 129–144. doi: https://doi.org/10.1162/105420403321921274 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2003 New York University and the Massachusetts Institute of Technology2003 Article PDF first page preview Close Modal You do not currently have access to this content
Art · Art history · Blackface · Citation · Download · Drama · Icon · Library science · Media studies · Search engine · Search engine optimization · Sociology · State (computer science · Visual arts · World Wide Web · Asian Culture and Media Studies · Computer Science · History · Theater, Performance, and Music History · Theatre and Performance Studies
Gambling with Identity
Digital Contention in Latin America
Keep Your Eyes on the FRONT and WATCH Your Back
Towards a nonlinear, material history of digital swarms
Bodies on the Line vs. Bodies Online
Beyond Rebellion of the Net
Nuevos medios de comunicación y movilización transnacional
Indigenous self-representations in the touristic sphere
Art, Affect, and Social Media in the 'No Dakota Access Pipeline' Movement
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,41 |
| Citation span | 2004 - 2024 (21) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 9 |