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Pirates and poachers

Fan fiction and the conventions of reading and writing

Bibliographic Data

ID7519035
AuthorsMargaret Mackey (0000-0001-5828-9351, University of Alberta, corresponding author), Jill McClay (University of Alberta), Jill Kedersha McClay (University of Alberta)
Year2008
Volume42
Issue2
Pages131-147
Publication date2008-06-01
Open AccessYes
TypeARTICLE
VenueEnglish in Education (JOURNAL)
Journal identifiersISSN: 0425-0494 • E-ISSN: 1754-8845
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1111/j.1754-8845.2008.00011.x
OpenAlexW1963689692
LanguageEN
Citations received4
References cited3

This article explores what teachers and students can learn about contemporary story‐telling from a study of fan fiction – that is, stories created by readers and viewers out of the canonical material of previously published fictions. Drawing on the example of Pirates of the Caribbean, it investigates ways in which fan fiction writers develop codes and conventions to govern themselves. For example, online litmus tests establish when a writer is self‐indulgently writing 'Mary Sue' characters into a story; the self‐styled Protectors of the Plot Continuum patrol the fictional limits of an imagined world to make sure that canonical information is not violated by fan fiction writers. This article makes use of such examples to investigate how quality control in fan fiction is codified, and to explore what teachers can learn from such enterprises about contemporary writing, reading and viewing. It compares these possibilities with issues of online literacy outlined by Henry Jenkins under three headings: the participation gap, the transparency problem, and the ethics challenge

Art · Linguistics · Literature · Reading (process · Asian Culture and Media Studies · History · Media, Gender, and Advertising · Philosophy

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Citations per year0.33
Citation span2014 - 2022 (9)
Highly citedNo

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