Sounds of Celluloid Dreams
Coming of the Talkies to Cinema in Colonial Korea
Bibliographic Data
| ID | 7519552 |
|---|---|
| Authors | Brian Yecies (0000-0001-9296-6651, corresponding author), BRIAN YECIES BRIAN YECIES |
| Year | 2008 |
| Volume | 48 |
| Issue | 1 |
| Pages | 160-197 |
| Publication date | 2008-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Korea Journal (JOURNAL) |
| Journal identifiers | ISSN: 0023-3900 • E-ISSN: 2733-9343 |
| Publisher | The Academy of Korean Studies (PUBLISHER • KR) |
| DOI | 10.25024/kj.2008.48.1.160 |
| OpenAlex | W1501402621 |
| Language | EN |
| Citations received | 4 |
| References cited | 5 |
Conventional reports often hint at how Koreans gained film industry experience and training in Korea and Japan during the 1920s and early 1930s under Cultural Policy reforms. Yet, few studies consider the full range of influences that motivated their contributions to a local vibrant popular entertainment industry and to the global transition to sound. This article attempts to recast the story of cinema in colonial Korea by offerintg new insights into the productive and destructive characteristics of colonial modernity
Archaeology · Art · Art history · Colonialism · Movie theater · Asian Culture and Media Studies · History
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2010 - 2016 (7) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |