Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Questioning diaspora

Mobility, mutation, and historiography of the Shaw Brothers film studio

Datos Bibliográficos

ID7519728
AutoresDarrell William Davis (autor de correspondencia)
Año2011
Volumen4
Número1
Páginas40-59
Fecha de publicación2011-02-23
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaChinese Journal of Communication (JOURNAL)
Identificadores de la revistaISSN: 1754-4769 • E-ISSN: 1754-4750
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17544750.2011.544081
OpenAlexW2075143707
IdiomaEN
Citas recibidas3
Referencias citadas11

This piece reviews the historical accounts of Shaw Brothers Studio, targeting its presentation as a diaspora company whose commercialism was enhanced by political pragmatism, frugality, and agility. The studio's activities were constrained by twentieth-century geopolitics, but its behavior was also shaped by its show business competitors, new technologies, and emergent popular forms. Existing historical accounts tend to overstate the studio's diasporic qualities, especially compared to other firms. This essay argues that there are limits to the diaspora model and proposes a more complex understanding of the firm. Alternative factors are considered in the company's colonial stratagems, in both its earlier and later phases, and in its dealings with Hong Kong's left-wing studios and subsequent business in Taiwan. Finally, Shaw Brothers Studio's appropriation of Japanese and other Asian talent is significant to the diaspora model of Shaw Brothers Studio

Appropriation · Art · Colonialism · Commercialism · Diaspora · Historiography · Political science · Politics · Sociology · Studio · Visual arts · Asian Culture and Media Studies · Gender Studies · History · Hong Kong and Taiwan Politics · Law · Migration, Ethnicity, and Economy

  • Crafting a World-Class Brand

    Open Access•Erica Ka-yan Poon•Media Industries•2020

  • Re-thinking Popular Culture

    Open Access•Lok-Yin Law, Lok Yin Law•Hong Kong History•2022

  • Sirens of Modernity

    Open Access•Samhita Sunya•Sirens of Modernity•2022

  • Chinese Martial Arts Cinema

    Stephen Teo•Chinese martial arts cinema•2009

  • Chinese Martial Arts Cinema

    Stephen Teo•Chinese Martial Arts Cinema•2015

  • Visions of Japanese Modernity

    Aaron Gerow•Visions of Japanese Modernity•2010

  • Visions of Japanese Modernity

    Ronald P Loftus•Film & History: An Interdisciplinar…•2012

  • To the Distant Observer

    Sybil Thornton, Noel Burch et al.•Cinema Journal•1981

  • Playing to the World's Biggest Audience

    Michael Curtin•Playing to the World's Biggest…•2007

  • To the Distant Observer

    Brett De Bary, Noel Burch•Journal of Japanese Studies•1982

  • The Class Consciousness of Frequent Travelers

    Craig Calhoun•South Atlantic Quarterly•2002

  • Moguls of the Chinese Cinema

    Open Access•Stephanie Po-Yin Chung, Po Yin Chung•Modern Asian Studies•2007

  • Diasporas

    Open Access•J Clifford•Cultural Anthropology•1994

Obras citantes distintas3
Citas por año0,5
Intervalo de citas2020 - 2022 (3)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 3
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae