Gay Fandom and Crossover Stardom
James Dean, Mel Gibson, and Keanu Reeves
Bibliographic Data
| ID | 7528197 |
|---|---|
| Authors | Michael Deangelis (corresponding author), Michael T DeAngelis (corresponding author) |
| Year | 2001 |
| Pages | 296 |
| Publication date | 2001-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Gay Fandom and Crossover Stardom (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/9780822380207 |
| OpenAlex | W4254072725 |
| Open Library | OL3942919M |
| ISBN | 9780822380207 |
| Language | EN |
| Citations received | 11 |
Introduction -- One. James Dean and the Fantasy of Rebellion -- Two. Stories without Endings: The Emergence of the "Authentic" James Dean -- Three. Identity Transformations: Mel Gibson's Sexuality -- Four. Keanu Reeves and the Fantasy of Pansexuality -- Afterword
Advertising · Art · Business · Crossover · Fandom · Media studies · Sociology · Asian Culture and Media Studies · Computer Science · Gender, Feminism, and Media · Media, Gender, and Advertising · Criticism and interpretation · Film criticism · Gay men · james Dean (1931-1955) · Keanu Reeves · Mel Gibson · mel Gibson (1956-) · Motion picture actors and actresses · Motion pictures · Motion pictures and gay men · Social aspects · united states · Artificial Intelligence
Brian Reynolds, public visibility, and gay stardom
Love You Guys (No Homo)’
Prison Break General Gabbery
For the love of Jodie Foster
Queer cultural movements and local counterpublics of sexuality
Keanu's late style
Scandal, critical gossip, and queer failure
There and 'not there
The post-mortem star discourse, or, loving Adrienne Shelly
Porn Star/Stripper/Escort
Rebel masculinities of star/director/text
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,58 |
| Citation span | 2007 - 2022 (16) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 11 |