The international telenovela debate and the contra-flow argument
A Reappraisal
Bibliographic Data
| ID | 7528974 |
|---|---|
| Authors | Daniel Biltereyst (0000-0001-5954-1547, Ghent University, corresponding author), Philippe Meers (0000-0002-6404-7751, Ghent University) |
| Year | 2000 |
| Volume | 22 |
| Issue | 4 |
| Pages | 393-413 |
| Publication date | 2000-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media Culture & Society (JOURNAL) |
| Journal identifiers | ISSN: 0163-4437 • E-ISSN: 1460-3675 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/016344300022004002 |
| OpenAlex | W2146393611 |
| Language | EN |
| Citations received | 29 |
| References cited | 11 |
Latin American telenovelas are often considered an interesting case in international communication theory and research, illustrating the potential of Third World cultural industries for resistance, alternatives and even contra-flow. In this article we first shed some light on the main theoretical frameworks and empirical arguments in the international telenovela debate. In the second part we focus on the contra-flow argument in relation to the worldwide exports of telenovelas. In the case study we concentrate on the telenovela flow to Europe. Both theory and case study stress the weakness of the contra-flow argument
Argument (complex analysis · Economics · Epistemology · Flow (mathematics · Focus (optics · Latin Americans · Political science · Positive economics · Relation (database · Sociology · Asian Culture and Media Studies · Computer Science · Diaspora, migration, transnational identity · Law · Mathematics · Migration, Ethnicity, and Economy · Philosophy
“Honey‐Drenched, Rags to Riches, Good versus Evil Stories”
Media and Communications
Understanding Netflix’s Foray into Original Productions in South Africa
Telenovelas
Collectors and Collections
Conglomerados de mídia e fluxos audiovisuais na América Latina
McTV
Global media flows
Consumption of US television and films in Northeastern Mexico
Television buyers in the digital era
Cosmopolitan imaginary
A multilayered transnational broadcasting television industry
The politics of pleasure in global drama
As telenovelas portuguesas
Drama without Drama
Media imperialism beyond the Anglo-Saxon axis, or negotiated hybridity? Neo-Orientalist telenovelas and transnational business in Brazilian television
McTv. Bidrag til en forståelse af tv-formaternes globale popularitet
From Global to (G)local
The hybrid grid
Cultural translation, global television studies, and the circulation of telenovelas in the United States
Cultural Globalization and Arts Journalism
Cultural Globalization as the Emergence of a Transnational Cultural Field
Small Screen, Big Tourism
A cross-cultural study of on-site film-tourism experiences among Chinese, Japanese, Taiwanese and Thai visitors to the Daejanggeum Theme Park, South Korea
Glocalized Telenovelas and National Identities
Hybridity in Cultural Globalization
Portuguese Soap Operas
A Cultural Globalization of Popular Music? American, Dutch, French, and German Popular Music Charts (1965 to 2006)
Latin American telenovelas and African screen media
Telenovelas
Class, Genre, and the Regionalization of Television Programming in the Dominican Republic
Communication, Culture and Hegemony
Beyond national sovereignty
Dependent development and broadcasting
The movement for a New World Information and Communication Order
Telenovela Audiences
Neither West nor Third World
Not yet the post‐imperialist era
| Unique citing works | 29 |
|---|---|
| Citations per year | 1,21 |
| Citation span | 2002 - 2023 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 29 |