Making Politics Serve Music
Yu Huiyong, Composer and Minister of Culture
Bibliographic Data
| ID | 7529267 |
|---|---|
| Authors | Yawen Ludden (Yawen Ludden, a native of Shanghai, is completing her PhD dissertation in the Musicology and Ethnomusicology Division of the University of Kentucky School of Music. Her thesis, entitled “The Chinese Music Revolution: From Beijing Opera to Yangbanxi,” focuses on the evolution and transformation of Beijing opera as well as its relationship with Chinese society and politics. She has presented her research at major national and international conferences such as the American Musicological Society (AMS), the..., corresponding author) |
| Year | 2012 |
| Volume | 56 |
| Issue | 2 |
| Pages | 152-168 |
| Publication date | 2012-05-11 |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1162/dram_a_00172 |
| OpenAlex | W2070753250 |
| Language | EN |
| Citations received | 5 |
| References cited | 6 |
Often viewed as a period of cultural famine by Western scholars, China's Cultural Revolution was in fact a heyday for those arts that served its new goals. In particular, yangbanxi, a derivative form of traditional Beijing opera, flourished during this era and continues to influence opera in China today
Aesthetics · Art · Beijing · China · Cultural revolution · Famine · Literature · Opera · Period (music · Political science · Politics · The arts · Visual arts · Cultural and Social Studies · History · Law · Musicology and Musical Analysis
| Citations per year | 0.42 |
|---|---|
| Citation span | 2014 - 2021 (8) |
| Highly cited | No |