The Contemporary Chinese Historical Drama
Four Studies
Bibliographic Data
| ID | 7529281 |
|---|---|
| Authors | Rudolf G Wagner (0009-0007-2565-5758, corresponding author) |
| Year | 1990 |
| Publication date | 1990-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Contemporary Chinese Historical Drama (SOURCE_BOOK) |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/9780520337817 |
| OpenAlex | W3135312365 |
| ISBN | 9780520337817 |
| Open Library | OL50702515M |
| Language | EN |
| Citations received | 12 |
China's "Great Leap Forward" of 1958-1961 was a time of official rejoicing over the achievements of Communism, but it was also a time of immense suffering. Growing dissent among intellectuals stimulated creativity as writers sought to express both their hope for the success of the revolution and their dissatisfaction with the Party leadership and policies. But the uneasy political climate and the state's control over literature prevented writers from directly addressing the compelling problems of the time. Rather, they resorted to a variety of sophisticated and time-honored forms for airing their grievances, including the historical drama. Rudolf Wagner examines three of these plays written and performed between 1958 and 1963 in an effort to decode their hidden political and cultural meanings. He also provides a broad survey of the politics of the historical drama in China, suggesting further avenues of inquiry into the relationship between literature and the state
Art · Drama · Literature · Asian Culture and Media Studies · History · 20th century · china · Chinese drama · Chinese drama, history and criticism · Chinese Historical drama · History and criticism · Politics and literature
Rewriting the Myth in Times of Permacrisis
Audience, Applause, and Countertheater
Receiving the Classics
Portrait of justice
“Shooting Sand at People's Shadow” Yingshe as a Mode of Representation in Medieval Chinese Literature
Reading Politics in Calligraphy
The Origins of the Cultural Revolution
Storytelling as urban resistance in Shanghai
Jiang Qing, the Iconic Anti-icon
Wu Xun , Song Jingshi and Lin Zexu
History and Heroes Privatim
Lady White Bone
| Citations per year | 0.41 |
|---|---|
| Citation span | 1997 - 2026 (30) |
| Highly cited | No |