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The Place of Sentimental Song in Contemporary Korean Musical Life

Bibliographic Data

ID7530000
AuthorsEun-Young Jung (0000-0002-4760-259X), Eunyoung Jung (0000-0002-0585-4625, corresponding author)
Year2011
Volume35
Issue1
Pages71-92
Publication date2011-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueKorean studies (JOURNAL)
Journal identifiersISSN: 0145-840X • E-ISSN: 1529-1529
PublisherUniversity of Hawaii Press (PUBLISHER • US)
DOI10.1353/ks.2011.0005
OpenAlexW2104733459
LanguageEN
Citations received1
References cited9

Scholarly and official discourses on Korean music have focused almost exclusively on the range of genres that fall under the broad rubric of “ kugak. ” Yet it is well known to Koreans and foreign observers alike that kugak is little known and underappreciated by the majority of Koreans today. While many Koreans study Western classical music and hold it in high regard, the music that is most widely consumed, and can be said to be the most popular and meaningful in the lives of contemporary Koreans, is Korean popular music (taejung kayo), and particularly the genre of sentimental love songs known as palladŭ. Although the Korean government has expressed pride in the international spread of Korean popular culture (the “Korean Wave”), cultural policy mostly sanctions kugak and denigrates popular music. I challenge the notion that Korean popular music should merely be viewed as an economic commodity, somehow not truly representative of Korean culture, lacking “Koreanness.” Focusing on musical style, language, emotion, and visual imagery, I discuss representative palladŭ songs and their recent history, considering the elements that are widely felt to be “Korean

Aesthetics · Art · Korean Wave · Literature · Media studies · Musical · Political science · Popular culture · Popular music · Pride · Sociology · Asian Culture and Media Studies · Cultural Identity and Representation · History · Law · Music History and Culture

  • Cosmaharaja

    Open Access•Anna Schultz•Sound Alignments•2021

  • Introduction

    Stuart Hall•Cuestiones de identidad cultural•2011

  • Pop for Progress

    Roald Maliangkay•Korean Pop Music•2006

  • Questions of Cultural Identity

    Stuart Hall, Paul Du Gay•Cuestiones de identidad cultural•2011

  • Ethnicity, Identity and Music

    Carol Gee Zarbock•Musicology Australia•1995

  • Korean Pop Music

    Keith Howard•Korean Pop Music•2006

  • Recentering Globalization

    Koichi Iwabuchi•Recentering Globalization•2002

  • Disciplining Ethnomusicology

    Timothy Rice•Ethnomusicology•2010

Unique citing works1
Citations per year0.2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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