Memories of Memories
Historicity, Nostalgia, and Archive in Bong Joon-ho's Memories of Murder
Bibliographic Data
| ID | 7532084 |
|---|---|
| Authors | Joseph Jeon (0000-0003-3249-2532, corresponding author) |
| Year | 2011 |
| Volume | 51 |
| Issue | 1 |
| Pages | 75-95 |
| Publication date | 2011-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | University of Texas Press (PUBLISHER • US) |
| DOI | 10.1353/cj.2011.0065 |
| OpenAlex | W2027945431 |
| Language | EN |
| Citations received | 2 |
| References cited | 13 |
This paper reads Bong Joon-ho's Memories of Murder (2003) as a commentary on the possibilities of historicity at the proverbial end of history. It argues that the film ultimately instantiates a kind of spectral historiography that comments on the archive's possibility as well as its limits
Aesthetics · Archaeology · Art · Historicity (philosophy · Historiography · Literature · Political science · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law
Detective fiction and the rise of forensic science
Archive Fever
The Remasculinization of Korean Cinema
Cultural politics in Korea’s contemporary films under neoliberal globalization
Marx’s Purloined Letter
Hybridity and the rise of Korean popular culture in Asia
Nostalgia of the New Wave
Why American Studies Needs to Think about Korean Cinema, or, Transnational Genres in the Films of Bong Joon-ho
Specters of Marx
Imagined Communities. Reflections on the Origin and Spread of Nationalism
The End of Temporality
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |