East of Honolulu
Hawaiian Music In Japan From the 1920s to the 1940s
Bibliographic Data
| ID | 7533237 |
|---|---|
| Authors | Shuhei Hosokawa (corresponding author) |
| Year | 2015 |
| Volume | 2 |
| Issue | 1 |
| Pages | 51-67 |
| Publication date | 2015-10-07 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.v2i1.28801 |
| OpenAlex | W2341302918 |
| Language | EN |
| Citations received | 8 |
This article analyses the influence of Hawaiian music in Japan from its introduction in the 1920s until the official suppression of the form during World War Two. It attempts to identify the ways in which styles of Hawaiian music were 'naturalised', ie adapted and integrated into an emergent Japanese vernacular, and the extent to which this 'naturalisation' was dependent on the role of Hawaiian born Japanese and thus Japan's 'privileged' access to Hawaiian music. It also frames its discussions within the context of Japan's 'Jazz Age' and the manner in which the cultural climate, of Tokyo at least, contributed to musical cross-fertilisation
Archaeology · Art · Art history · Context (archaeology · Geography · Jazz · Literature · Musical · Naturalisation · Political science · Politics · Vernacular · Visual arts · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,26 |
| Citation span | 1995 - 2023 (29) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |