The Chinese Side of the Mountain
Bibliographic Data
| ID | 7533353 |
|---|---|
| Authors | C Berry (0000-0002-5752-3107, corresponding author) |
| Year | 2007 |
| Volume | 60 |
| Issue | 3 |
| Pages | 32-37 |
| Publication date | 2007-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Film Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0015-1386 • E-ISSN: 1533-8630 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/fq.2007.60.3.32 |
| OpenAlex | W2059294604 |
| Language | EN |
| Citations received | 7 |
Brokeback Mountain not only differs from most other Westerns by mixing in melodrama, but also uses a very specifically Chinese form of melodrama known as the “family ethics” film. Furthermore, it also draws on another regional subcultural tradition —comics produced for and by straight women but about love between two young men
Aesthetics · Art · Comics · Literature · Sociology · Asian Culture and Media Studies · Comics and Graphic Narratives · Gender Studies · Hong Kong and Taiwan Politics
| Unique citing works | 7 |
|---|---|
| Citations per year | 0,47 |
| Citation span | 2011 - 2026 (16) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |