China on Video
Bibliographic Data
| ID | 7533489 |
|---|---|
| Authors | Paola Voci (0000-0003-2301-5937, University of Otago, corresponding author) |
| Year | 2010 |
| Publication date | 2010-06-10 |
| Open Access | No |
| Type | BOOK |
| Venue | China on video (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203850107 |
| OpenAlex | W4250958741 |
| ISBN | 9780203850107 |
| Language | EN |
| Citations received | 45 |
China On Video is the first in-depth study that examines smaller-screen realities and the important role they play not only in the fast-changing Chinese mediascape, but also more broadly in the practice of experimental and non-mainstream cinema. At the crossroads of several disciplines—film, media, new media, media anthropology, visual arts, contemporary China area studies, and cultural studies--this book reveals the existence of a creative, humorous, but also socially and politically critical "China on video", which locates itself outside of the intellectual discourse surrounding both auteur cinema and digital art. By describing smaller-screen movies, moviemaking and viewing as light realities, Voci points to their "insignificant" weight in terms of production costs, distribution size, profit gains, intellectual or artistic ambitions, but also their deep meaning in defining an alternative way of seeing and understanding the world. The author proposes that lightness is a concept that can usefully be deployed to describe the moving image, beyond the specificity of recent new media developments and which can, in fact, help us rethink previous cinematic practices in broad terms both spatially and temporally
Archaeology · China · Geography · Asian Culture and Media Studies · Computer Science · Hong Kong and Taiwan Politics
Convergence
From Angry Youth to Anxious Parents
Defending the Authoritarian Regime Online
Live-streaming, games and politics of gender performance
The transformation of images of Nezha and the changing cultural discourses in Chinese national style animated films from 1979 to 2019
“Yesterday once more
Internal hypertopias
Remixing Chineseness
Para-animation in Practice and Theory
Animating the Chinese Child Consumer
Video Documentary and Rural Public Culture in Ethnic China
Pop Cosmopolitics and K-pop Video Culture
“Everyone’s Property”
Queer screens with Chinese characteristics
After the “Steamed Bun”
Disorderly conduct
Digital China
Duanzi as Networked Practice
Communication and technology theories from the South
Philanthropy on the move
The networked practice of online political satire in China
From divergence to convergence
Activist sinology and accented documentary
Flat Surface” as Material Metaphor
The New Chinese Individual
Chinese Queer Images on Screen
Chinese Independent Documentary Films
Baozou manhua (rage comics), Internet humour and everyday life
Chinese film spaces
How does the Chinese smartphone brand attract new filmmakers to make films with their phones
The aesthetic scene
Technology and Its Contents
Bullet Screens (Danmu)
A Scratch Embellishing an Empty Face
Bureaucrats on Douyin
The micro-movie wave in a globalising China
Aesthetics of queer becoming
Framing dialogue through the mirror
Mega-Events and Nationalism
From Mao Zedong to Michael Jackson
Three Currents of Platformization in China
Beyond the Ethico-aesthetic
"Middle-aged Old Mothers" in China
The Domestic Life of Buyi Videos
Kuaishou short video social network from the perspective of urban-rural cultural linkage
| Unique citing works | 45 |
|---|---|
| Citations per year | 3 |
| Citation span | 2011 - 2025 (15) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 45 |