Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Asian Cinema Experience

Styles, Spaces, Theory

Bibliographic Data

ID7533844
AuthorsStephen Teo (0000-0001-5025-7937, corresponding author)
Year2013
Pages269
Publication date2013-05-07
Open AccessNo
TypeBOOK
VenueThe Asian cinema experience (SOURCE_BOOK)
PublisherRoutledge (PUBLISHER • GB)
DOI10.4324/9780203115657
OpenAlexW4244265216
ISBN9780203115657
Open LibraryOL25299381M
LanguageEN
Citations received7

This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component – this book provides a rich, insightful overview of what exactly constitutes Asian Cinema

Archaeology · Art history · China · Dynamism · East Asia · Geography · Media studies · Movie theater · National cinema · Orientalism · Sociology · Asian Culture and Media Studies · Gender Studies · History · Hong Kong and Taiwan Politics · asia · Culture au cinéma · Culture in motion pictures · Culture populaire · Ethnic Studies · Film & Video · General · Media Studies · Motion picture industry · Motion pictures · Performing Arts · Popular Culture · Social Science

  • Shanghai gangster films and the politics of change

    Open Access•Tatu-Ilari Laukkanen•Novos Olhares•2020

  • Mythic frontiers and nationalism

    Open Access•Yining Zhou•International Journal of Asian…•2026

  • Cultural Exchange through Film

    Open Access•Muhammad Yaqoub, Ze Gao•SAGE Open•2025

  • The laugh of the pontianak

    Alicia Izharuddin•Feminist Media Studies•2019

  • Pauses, Cuts, and Static Interference

    Shaoling Ma•positions asia critique•2020

  • Postcolonial Cacophonies

    Gerald Sim•positions asia critique•2018

  • Ye Bazaar Ek Kabristan Hai (This Market is A Graveyard)

    Sachi Nandan Mohanty, Sikha Mohanty et al.•South Asian Review•2025

Citations per year0.88
Citation span2018 - 2026 (9)
Highly citedNo

Tools

Open DOILibgen
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae