Wayang Kulit Cirebon
Warisan Diplomasi Seni Budaya Nusantara
Bibliographic Data
| ID | 7535772 |
|---|---|
| Authors | Moh Isa Pramana Koesoemadinata |
| Year | 2013 |
| Volume | 4 |
| Issue | 2 |
| Pages | 142-154 |
| Publication date | 2013-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | ITB Journal of Visual Art and Design (JOURNAL) |
| Journal identifiers | ISSN: 1978-3078 |
| Publisher | The Institute for Research and Community Services (LPPM) ITB (PUBLISHER) |
| DOI | 10.5614/itbj.vad.2013.4.2.6 |
| OpenAlex | W2083403776 |
| Language | EN |
| Citations received | 2 |
| References cited | 1 |
The wayang kulit (shadow puppet) theatre is a traditional art form that has thrived in Southeast Asia for a long time. In Indonesia, Malaysia and Thailand, apart from local stories, wayang kulit presents Indian epics, such as the Ramayana and Mahabharata, as a medium for Hindu-Buddhist teachings. When Islam spread in this region, the Javanese and Malay wayang kulit still kept developing, even when it was being repurposed for Islamic preaching. In its development in the Islamic era, the Javanese wayang kulit incorporated the role and influence of Sufi scholars and local rulers. The visual form, composition, and creation of the wayang kulit puppets along with the prose and musical arrangements were directly inspired by the Wali Sanga (Nine Apostles) and the
Apostles · Archaeology · Art · Art history · Buddhism · Hinduism · Islam · Islamic Art · Literature · Malay · Shadow (psychology · Visual arts · Cultural and Artistic Studies · Environmental Engineering and Cultural Studies · History · Religious studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2021 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |