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The Indian Conquest of Catholic Art

The Mughals, the Jesuits, and Imperial Mural Painting

Bibliographic Data

ID7536352
AuthorsGauvin Alexander Bailey (corresponding author)
Year1998
Volume57
Issue1
Pages24-30
Publication date1998-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueArt Journal (JOURNAL)
Journal identifiersISSN: 0004-3249 • E-ISSN: 2325-5307
PublisherCollege Art Association (PUBLISHER • US)
DOI10.1080/00043249.1998.10791866
OpenAlexW2323053046
LanguageEN
Citations received8

The EncounterRecent scholarship has acknowledged that the art of early colonial Latin America was often the product of a partnership between indigenous and conquest civilizations, and not merely a provincial variation on European models.1 Either covertly or with the tacit encouragement of their European employers, Amerindian artisans perpetuated pre-Conquest iconographies, ideals, and rituals in their Catholic art commissions. Nahua artists in sixteenth-century New Spain, for example, introduced pre-Conquest glyphs and styles into conventual mural cycles, making it possible for them not only to understand the new faith on their own terms but even to assert their own identity or resist church authority. Nevertheless, among the peoples of the former Aztec and Inka empires—along with other groups under Spanish rule from Hispaniola to Luzon—conquest was the reality. The imported civilization had the upper hand, and the art of these regions became increasingly dominated by European forms and meanings

Ancient history · Archaeology · Art · Art history · Civilization · Colonialism · CONQUEST · Ethnology · Faith · Indigenous · Mural · Painting · Political science · Scholarship · Theology · Classics · History · Latin American history and culture · Law · Philosophy

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Unique citing works8
Citations per year0,33
Citation span2002 - 2022 (21)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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