Critique of the New Historical Landscape of South Korean Animation
Bibliographic Data
| ID | 7537579 |
|---|---|
| Authors | Joon-Yang Kim (Kaywon University of Art & Design, corresponding author) |
| Year | 2006 |
| Volume | 1 |
| Issue | 1 |
| Pages | 61-81 |
| Publication date | 2006-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Animation (JOURNAL) |
| Journal identifiers | ISSN: 1746-8477 • E-ISSN: 1746-8485 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/17468477065065842 |
| OpenAlex | W2093945093 |
| Language | EN |
| Citations received | 3 |
This article introduces and critically engages with the animated films produced in the geopolitical reality of South Korea from the colonial period under Japanese occupation to the present, and the animation-related phenomena they caused. In the past, studies of South Korean animation have tended to describe it merely in terms of a production factory on the international scene of animation. However, the history of South Korean animation, many parts of which have been forgotten or not recorded, is as extensive as that of South Korea itself. In exploring the historical and political contexts of South Korean animation in chronological order, the aim is not to present a grand narrative of national cinema. Rather, the article hopes to shed some light on the complex web of animation production, aesthetic expression and South Korean ideologies and political situations
Aesthetics · Animation · Anime · Art · Geopolitics · Ideology · Literature · Movie theater · Narrative · Political science · Politics · Visual arts · Asian Culture and Media Studies · Computer Science · History · Japanese History and Culture · Media, Gender, and Advertising
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,21 |
| Citation span | 2012 - 2020 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |