Heterophotographies
Play, power, privilege and spaces of otherness in Chinese tourist photography
Bibliographic Data
| ID | 7537673 |
|---|---|
| Authors | Melissa Shani Brown (0000-0002-2322-597X, Fakultät für Ostasienwissenschaften, Ruhr-Universität Bochum, Bochum, Germany, corresponding author) |
| Year | 2021 |
| Volume | 62 |
| Issue | 3 |
| Pages | 307-337 |
| Publication date | 2021-07-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Renaissance and Modern Studies (JOURNAL) |
| Journal identifiers | ISSN: 0486-3720 • E-ISSN: 1473-5784 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14735784.2021.1943698 |
| OpenAlex | W3190111311 |
| Language | EN |
| Citations received | 7 |
| References cited | 24 |
This article explores Han Chinese tourists' practice of self-photography in ‘ethnic' ‘costume' at tourist sites in China and Japan. Drawing on ethnography and interviews with young Han women, it aims to problematise the innocence of such play. Contextualising this analysis with the visualisation of identity within China, this article explores how the playful mode itself allows for Han individuals to position themselves as ‘sophisticated' in their consumption of traditional cultures, while tacitly separating them from the supposed ‘traditionality' of other groups. Drawing on Huizinga's ‘magic circle’ and Foucault's concept of ‘heterotopias’, it is argued that the imaginative space that is created is not at the tourist location, but rather within the confines of the images themselves. Analysing the ways in which tourists play out their ideas of ‘ethnic others', it explores the tropes within the photographs, and how these link to wider practices of ‘othering'. The article explores the ways in which ‘play' renders cultural difference ‘safe'-because-‘not serious’ – but also positions those in a privileged position to safely play with different cultures supposedly superior in their ability to do so
Aesthetics · Art · China · Ethnic group · Ethnography · Identity (music · Innocence · Political science · Power (physics · Privilege (computing · Sociology · Tourism · Anthropology · Asian Culture and Media Studies · Diaspora, migration, transnational identity · Gender Studies · History · Japanese History and Culture · Law
Heterotopia and the City
Chinese Urban Shi-nema
The Festival as Carnivalesque
Great Han
Cultural Encounters on China’s Ethnic Frontiers
The Tourist Gaze 3.0
The Order of Things
Miniatures of the nation
Confucianism as Anthropological Machine
The mutual gaze
Heterotopic erotic oases
Enemies of Civilization
Eating Hanness
More Than a Category
Defining the right path
Homo ludens
Gender and Internal Orientalism in China
Representing Nationality in China
Tourist Photography and the Reverse Gaze
The Corporeal Politics of Quality (Suzhi)
Photography, tourism and the Kodak hula show
| Unique citing works | 7 |
|---|---|
| Citations per year | 1,75 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |