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Film policy in Japan – an isolated species on the verge of extinction

Bibliographic Data

ID7537825
AuthorsNobuko Kawashima (Doshisha University, corresponding author)
Year2016
Volume22
Issue5
Pages787-804
Publication date2016-10-17
Open AccessNo
TypeARTICLE
VenueInternational Journal of Cultural Policy (JOURNAL)
Journal identifiersISSN: 1028-6632 • E-ISSN: 1477-2833
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10286632.2016.1223645
OpenAlexW2537592768
LanguageEN
Citations received8
References cited21

This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government’s cultural policy for film. Film in recent years has received some attention as an industry with export potential, particularly with the rise of ‘Cool Japan’, the policy of promoting Japanese culture abroad as a tool for economic and diplomatic aims. In the chequered history of economic growth strategies and nation branding of recent years, the film industry has had some good news but received no serious attention either as a sector with economic significance or as a form of national culture

Creative industries · Cultural policy · Economic growth · Economics · Economy · Government (linguistics · Industrial policy · Market economy · Political science · Public policy · Asian Culture and Media Studies · Hong Kong and Taiwan Politics · Japanese History and Culture · Law

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Citations per year0.89
Citation span2017 - 2025 (9)
Highly citedNo

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