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Ahmed Kathrada in post-war Europe

Holocaust memory and apartheid South Africa (1951-1952)

Bibliographic Data

ID7559547
AuthorsRoni Mikel Arieli (APARTHEID-STOP ERC Project and Mandel Scholion Research Center, The Hebrew University of Jerusalem, Jerusalem, Israel, corresponding author)
Year2019
Volume17
Issue1
Pages1-17
Publication date2019-01-02
Open AccessYes
TypeARTICLE
VenueAfrican Identities (JOURNAL)
Journal identifiersISSN: 1472-5843 • E-ISSN: 1472-5851
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14725843.2019.1607718
OpenAlexW2942385162
LanguageEN
Citations received6
References cited13

This paper is part of a larger study exploring cultural and discursive performances of Holocaust memory in South Africa under the apartheid racist regime (1948–1994). During the years of apartheid rule, South Africans of diverse backgrounds regularly invoked the memory of the Holocaust. In his 2004 memoirs, the Indian South African anti-apartheid activist Ahmed Kathrada briefly narrates the course of his European odyssey (1951–1952), where he witnessed first-hand the destruction left by the Second World War and by the Holocaust in particular. Using Kathrada’s memoirs; an interview I conducted with him in August 2016, and archival records concerning the cultural events he attended while in Europe, I tease out Kathrada’s insights on the Jewish Holocaust through a distinctively internationalist perception of colonialism. In addition, I address specific threads of communist thought that shaped his worldview. Despite his communist background, records of his visits to the Auschwitz concentration camp and to the Warsaw Ghetto reveal Kathrada’s unique perception of the Holocaust – in marked distinction from Soviet approaches to the Holocaust and its memorialization. Moreover, an analysis of Kathrada’s public speeches delivered over the 1950s repositions Kathrada’s little known sojourn in Europe as central in shaping his insights regarding the consequences of racism. These insights, gleaned in Europe, are brought home to South Africa. Drawing on Michael Rothberg’s paradigm of multidirectional memory, this paper explores how Kathrada interweaves different narratives, structuring his own imaginaries and identities by negotiating between different practices of commemoration and memorialization, in a search for justice and solidarity, and as a means of articulating his own position as a victim of apartheid South Africa

Art history · Colonialism · Communism · Memoir · Memorialization · Political science · Politics · Racism · Sociology · The Holocaust · African history and culture studies · Gender Studies · Historical and Contemporary Political Dynamics · History · Law · South African History and Culture

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Citations per year0.26
Citation span2003 - 2025 (23)
Highly citedNo

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