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Time's Arrow

Toward a Social History of Crow Biographic Art Using Seriation and Multivariate Statistics

Datos Bibliográficos

ID7565645
AutoresStephen J Lycett (Department of Anthropology University at Buffalo The State University of New York (SUNY) Amherst New York 14261 USA, autor de correspondencia), James D Keyser (Oregon Archaeological Society Portland Oregon 97239 USA)
Año2019
Volumen121
Número2
Páginas363-375
Fecha de publicación2019-06-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAmerican Anthropologist (JOURNAL)
Identificadores de la revistaISSN: 0002-7294 • E-ISSN: 1548-1433
EditorialWiley (PUBLISHER • GB)
DOI10.1111/aman.13260
OpenAlexW2940169680
IdiomaEN
Citas recibidas5
Referencias citadas32

Biographic artworks produced by Historic‐period Plains Indian warriors can be viewed as genuine historical documents, detailing important events in their lives. This is especially true because these documents contain a genuinely narrative component, telling their stories as much as depicting them. However, for individual lives to create a broader social history, they must be connected with the lives of others, especially over a temporal span. Here, we begin the task of building a chronological framework for Crow ( Apsáalooke ) biographic artworks based on multivariate statistical analysis and seriation analysis of their content. Our research not only allows five undated artworks to be better placed in chronological context but also reveals the changing pattern of stylistic features in these artworks during the turbulent decades of the nineteenth century. [ biographic art, Plains Indians, cultural traditions, Native American art

Aesthetics · Archaeology · Art · Art history · Context (archaeology · Genealogy · Literature · Multivariate analysis · Narrative · Period (music · Seriation (archaeology · Visual arts · Archaeology and ancient environmental studies · Archaeology and Natural History · Archaeology and Rock Art Studies · Computer Science · History

  • Stylistic Change and Emic Cultural Continuity in Archaic-Period Anthropomorphs at No Bear, Montana

    James D Keyser, Stephen J Lycett•Journal of Field Archaeology•2021

  • Changing patterns of stylistic diversity in Blackfoot biographic art across the nineteenth century

    Stephen J Lycett, James D Keyser•Plains Anthropologist•2021

  • White Swan

    Stephen J Lycett, James D Keyser•Ethnohistory•2021

  • Writing histories at Êngkahonovita Ogwêvi

    Open Access•Laura L Scheiber, Katherine L Burnett et al.•Antiquity•2020

  • Dating Crow Rock Art through Multivariate Statistical Comparison with Biographic Artworks

    Open Access•Stephen J Lycett, James D Keyser•American Antiquity•2019

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  • Death’s Head, Cherub, Urn and Willow

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  • Facing new flows

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  • Lakota winter counts, pictographic records, and record making and remaking histories

    Open Access•Jane Zhang•Archives and Manuscripts•2017

  • Beyond Oral History

    Open Access•Stephen J Lycett, James D Keyser•International Journal of…•2017

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    R L Lyman, Judith L Harpole•Journal of Anthropological Research•2002

  • Assessing the chronology of post-contact rock art on the northern Plains via multivariate statistical comparison with Blackfoot biographic art

    Open Access•Stephen J Lycett, James D Keyser•Journal of Anthropological…•2017

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Obras citantes distintas5
Citas por año0,71
Intervalo de citas2019 - 2021 (3)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 5
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