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Post-Automation Poetics; or, How Cold-War Computers Discovered Poetry

Bibliographic Data

ID7579835
AuthorsAvery Slater (0000-0002-8700-7234, corresponding author)
Year2023
Volume95
Issue2
Pages205-227
Publication date2023-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Literature (JOURNAL)
Journal identifiersISSN: 0002-9831 • E-ISSN: 1527-2117
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00029831-10575035
OpenAlexW4327746494
LanguageEN
Citations received3
References cited12

This article examines early Cold War attempts to generate poetry using computers. Set between the end of World War II and the rise of personal computing, computer-generated poetry from this period was shaped not only by artists but also the university lab, the defense-contactor, and the corporation. Computer-generated poetry from this era often participated in the larger project of fostering public conception of the power and prestige of computers. This ethos of “post-automation poetics” was also informed by computer science experiments with computation’s linguistic-processing powers—from machine translation to early AI. This article contextualizes the computer poetry of Alison Knowles, Nanni Balestrini, and others within the scientific concerns of mathematicians like Theo Lutz and linguists like Margaret Masterman. Framed by governmental power, university funding, and corporate ambition, “post-automation poetics” engages with computation’s relevance to literary production: from Cold War mainframes to contemporary large language models (LLMs) like GPT-3

Art · Cold war · Ethos · Literature · Media studies · Poetics · Poetry · Political science · Politics · Power (physics) · Sociology · Art, Technology, and Culture · Artistic and Creative Research · Computer Science · Cybernetics and Technology in Society · History · Law

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    Open Access•Victor Kennedy•Humanities•2024

  • The benefits of being between (many) fields

    Open Access•Gabrielle Berman, Kate Williams et al.•Big Data & Society•2025

  • Digital Poetry

    Open Access•Christopher Funkhouser•A Companion to Digital Literary…•2013

  • The Closed World

    Paul N Edwards•The Closed World•1996

  • GPT-3

    Open Access•Luciano Floridi, Massimo Chiriatti•Minds and Machines•2020

  • Media Archaeology. Approaches, Applications, and Implications

    Anne Mager, Astrid Mager•Information Communication & Society•2013

  • Spicer's Orpheus and the Emancipation of Pronouns

    Jed Rasula•boundary 2•1977

  • Incarnations of Jack Spicer

    Mario Davidson, Michael Davidson•boundary 2•1977

  • Poetry as Prosthesis

    Brian Mchale•Poetics Today•2000

  • Computer Participation in Linguistic Research

    Paul L Garvin•Language•1962

Unique citing works3
Citations per year1,5
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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