Lusophone Hip-Hop
Who We Are’ and ‘Where We Are’: Identity, Urban Culture and Belonging, edited by Rosana Martins and Massimo Canevacci
Bibliographic Data
| ID | 7635767 |
|---|---|
| Authors | Quentin Williams (0000-0002-4798-5578, University of the Western Cape), Quentin E Williams (0000-0003-4154-4920, University of the Western Cape, corresponding author) |
| Year | 2019 |
| Volume | 29 |
| Issue | 2 |
| Pages | 201-203 |
| Publication date | 2019-04-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Anthropological Forum (JOURNAL) |
| Journal identifiers | ISSN: 0066-4677 • E-ISSN: 1469-2902 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00664677.2018.1558627 |
| OpenAlex | W2903842773 |
| Language | EN |
Since its inception, Hip Hop culture has rapidly grown, redefining the nature of popular culture and music. The culture’s spread to locations far and wide across the globe has given young people, d
Aesthetics · Art · Civic culture · Criminology · Democracy · Identity (music) · Political science · Politics · Sociology · Law · Music History and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |