Peter Lorre
Face maker: constructing stardom and performance in Hollywood and Europe , by Sarah Thomas
Bibliographic Data
| ID | 7707393 |
|---|---|
| Authors | Ana Salzberg (0000-0003-4600-1933, University of Stirling, corresponding author) |
| Year | 2014 |
| Volume | 5 |
| Issue | 1-2 |
| Pages | 213-215 |
| Publication date | 2014-04-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2014.887535 |
| OpenAlex | W2016000135 |
| Language | EN |
| References cited | 1 |
In 1936, 20th Century Fox released a biography of Peter Lorre that described him as ‘the Man whom nobody in Hollywood knows’ (quoted on p. 63). Over 70 years later, Lorre arguably endures in the po
Art · Art history · Biography · Hollywood · nobody · Performance art · Social science · Sociology · Cinema and Media Studies · Computer Science · Italian Fascism and Post-war Society · Media Studies and Communication
| Highly cited | No |
|---|