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No one is trash, no one is garbage, no one is cancelled

The cultural politics of trauma, recovery and rage in RuPaul’s Drag Race

Bibliographic Data

ID7707400
AuthorsDebra Ferreday (0000-0001-7540-1034, Lancaster University, corresponding author)
Year2020
Volume11
Issue4
Pages464-478
Publication date2020-10-01
Open AccessNo
TypeARTICLE
VenueCelebrity Studies (JOURNAL)
Journal identifiersISSN: 1939-2397 • E-ISSN: 1939-2400
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19392397.2020.1765101
OpenAlexW3027486544
LanguageEN
Citations received5
References cited16

Historically, Drag Race has mobilised stories about homophobia, family violence, racism and femmephobia that produce drag as a technology of recovery: a means of rising above trauma, in line with media scholarship on the centrality of personal trauma narratives in reality TV. Queer scholars have argued that this imperative to tell positive stories silences more melancholic, ‘negative’ voices; of the tension between the need to speak of ‘damage’, and a ‘related and contrary desire to affirm queer existence’. Seen as the embodiment of the histrionic, dramatic drag queen villainess and dubbed ‘the whistle-blower of the season’, Season 10 queen The Vixen subverted familiar trauma narratives, engendering an opening up around narratives of trauma, racism and transmisogyny. This paper examines The Vixen’s absence and her re-emergence on social media, reading her viral tweet declaring ‘no-one is cancelled’ as a provocation that unsettles dominant accounts of mental health, survival and trauma. I argue that in speaking up for the ‘trash, garbage and cancelled’ subject, The Vixen speaks to Heather Love’s call for a queer politics that consider injury as something that might be ‘lived with, not necessarily fixed’. In this sense, her flawed star persona resonates with a mad scholarship that constituting a productive mad and queer politics of vulnerability

Aesthetics · Art · Literature · Narrative · Political science · Politics · Queer · Racism · Scholarship · Sociology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · Law · Music History and Culture

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Citations per year1.25
Citation span2022 - 2024 (3)
Highly citedNo

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