Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Notes on the Stage Music of Jorge Peixinho

Contributions Towards a Dialogue Between Theatre and Music

Bibliographic Data

ID7733708
AuthorsFrancisco Pessanha de Meneses (Moscow State University of Technologies and Management named after K.G. Razumovskiy, corresponding author)
Year2023
Volume42
Issue2
Pages199-214
Publication date2023-03-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494467.2023.2246315
OpenAlexW4386377859
LanguageEN
Citations received2
References cited3

Jorge Peixinho (1940–1995) was one of the most significant Portuguese composers of the second half of the twentieth century. His work encompasses several genres but focuses, in particular, on avant-garde chamber music. Between 1964 and 1993, Peixinho collaborated with several theatre directors, composing music for their productions, as well as writing music for other genres such as performance art, ‘happenings’, and some of the most innovative mixed-media experiments in Portugal at the time. During this period, avant-garde theatre and music were two worlds that were mutually unaware of each other. Avant-garde theatrical productions sought to be in line with what was happening in Europe, but the musical accompaniment was neglected, just as it was in opera. In the Portuguese context, Jorge Peixinho’s contribution sought to fill this gap. This article seeks to contextualise Jorge Peixinho’s stage work and to compile a list of the shows for which the composer wrote music

Aesthetics · Appropriation · Art · Art history · Happening · Humanities · Musical · Performance art · Performing arts · Popular music · Portuguese · Theatre director · Visual arts · Historical and Modern Theater Studies · History · Musicology and Musical Analysis · Theatre and Performance Studies

  • Constança Capdeville and the ColecViva Group

    Filipa Magalhães•Contemporary Music Review•2023

  • Opera in Portugal in the Last Quarter of the Twentieth Century

    João Paulo Santos•Contemporary Music Review•2023

  • Postdramatic Theatre

    Hans-Thies Lehmann•Postdramatic Theatre•2006

  • Materializing the intangible

    Open Access•Hélia Marçal, Andreia Nogueira et al.•Conservar Património•2017

  • Preservation and technological obsolescence

    Isabel Pires, Filipa Magalhães et al.•Journal of New Music Research•2018

Unique citing works2
Citations per year0,67
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae