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How We Recognize Angry and Happy Emotion in People, Places, and Things

Bibliographic Data

ID7738382
AuthorsJoel Aronoff (Michigan State University, corresponding author)
Year2006
Volume40
Issue1
Pages83-105
Publication date2006-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCross-Cultural Research (JOURNAL)
Journal identifiersISSN: 1069-3971 • E-ISSN: 1552-3578
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/1069397105282597
OpenAlexW2106341307
LanguageEN
Citations received8
References cited11

Darwin proposed and Ekman and Izard confirmed the presence of cross-cultural regularities in facial displays of emotion. Following their work, the author and his colleagues sought to find parallel mechanisms that would permit these displays to be decoded. A cross-cultural comparison of the display of anger and happiness in masks used in ritual social functions revealed that a set of geometric patterns, rather than actual facial features, conveyed these different emotional meanings. The power of nonrepresentational visual patterns to produce meaning was examined in a series of studies using materials that presented geometric shapes in a variety of line drawings, large-scale physical movement in classical ballet, and configurations among individuals in 17th-century Dutch art. Results across all studies suggested that for the emotions of anger and happiness, at least, meaning is carried in the geometric properties of the visual display

Aesthetics · Anger · Art · Association (psychology · Cognitive psychology · Emotional expression · Facial expression · Happiness · Meaning (existential · Power (physics · Set (abstract data type · Categorization, perception, and language · Communication · Computer Science · Emotions and Moral Behavior · Evolutionary Psychology and Human Behavior · Psychology · Social Psychology

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Unique citing works8
Citations per year0.14
Citation span1970 - 2023 (54)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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