From Great Men to Ordinary Citizens? The Biographical Approach to Narrating European Integration in Museums
Bibliographic Data
| ID | 7740216 |
|---|---|
| Authors | Wolfram Kaiser (0000-0002-8522-9087, University of Portsmouth, corresponding author) |
| Year | 2011 |
| Volume | 3 |
| Issue | 3 |
| Pages | 385-400 |
| Publication date | 2011-10-25 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Culture Unbound Journal of Current Cultural Research (JOURNAL) |
| Journal identifiers | ISSN: 2000-1525 • E-ISSN: 2000-1525 |
| Publisher | Linköping University Electronic Press (PUBLISHER • SE) |
| DOI | 10.3384/cu.2000.1525.113385 |
| OpenAlex | W2117898538 |
| Language | EN |
| Citations received | 11 |
| References cited | 9 |
The history of European integration is not easy to tell – in books or, for that matter, in museums. Most importantly, it appears to lack drama. This lack of drama creates a dilemma for museum practitioners who wish to tell stories about the contemporary history of Europé as shared history. In these circumstances, one prominent way of telling stories about European integration history in museums, and the focus of this article, is the biographical approach. Drawing upon research in all of the museums mentioned in this article and many more, and some 60 interviews with museum practitioners from across Europé, this article first discusses three biographical approaches to narrating European integration history in museums. It proceeds to draw out general conclusions about the prospects of mainstreaming European integration in history museums, and about the particular opportunities and pitfalls of the biographical approach and its different varieties
Art · Dilemma · Drama · Epistemology · Literature · Mainstreaming · Media studies · Pedagogy · Sociology · Central European national history · European history and politics · French Historical and Cultural Studies · History
Les simulations européennes
La mémoire européenne en action
Victimizing Europeans
One narrative or several? Politics, cultural elites, and citizens in constructing a ‘New Narrative for Europe’
Two sides to every story(teller)
Clash of Cultures
Europe's odyssey
European Fantasies
The End of a Noble Narrative? European Integration Narratives after the Nobel Peace Prize
Limits of Cultural Engineering
The Father on Display
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,79 |
| Citation span | 2012 - 2021 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 11 |