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We Were Paralysed

Ecological Grief, the Everyday Anthropocene, and Climate Crisis Ordinariness in The High House

Bibliographic Data

ID7761024
AuthorsAlice Carlill (Goldsmiths University of London, corresponding author)
Year2025
Volume106
Issue3
Pages373-394
Publication date2025-04-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnglish Studies (JOURNAL)
Journal identifiersISSN: 0013-838X • E-ISSN: 1744-4217
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0013838x.2024.2428932
OpenAlexW4404751710
LanguageEN
Citations received1
References cited37

Despite arguments to the contrary, this article contends that climate realism both is and is yet to become a useful and valuable genre for aestheticising an environmentally threatened and threatening present. It conceptualises Jessie Greengrass’s The High House as a contemporary novel that mobilises climate realism through the “everyday Anthropocene” paradigm to convey the affective experience of living through and with climate crisis for a Western Global North populace. This affective climate is most typified by a paralysing ecological grief that implicates the novel’s characters in wider political inertia. As such, I argue that The High House deploys climate realism to scrutinise the structures of feeling that directly or indirectly contribute to this inertia, intimating that a living with and through climate crisis – what can, after Lauren Berlant, be called climate crisis ordinariness – might in effect equate to political quiescence if not indirect complicity in ecocide

Anthropocene · Biology · Climate change · Ecological crisis · Environmental ethics · Grief · Psychiatry · Sociology · Contemporary Literature and Criticism · Ecocriticism and Environmental Literature · Ecology · History · Modern American Literature Studies · Philosophy · Psychology

  • Anthropocene ordinary

    Open Access•Aurora Fredriksen•Progress in Human Geography•2025

  • The Implicated Subject

    Michael Rothberg•The Implicated Subject•2020

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    Lauren Berlant, Lauren Gail Berlant•Cruel Optimism•2011

  • Indigenous Climate Change Studies

    Kyle Powys Whyte, Kyle Whyte•English Language Notes•2017

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    Open Access•Eva Haifa Giraud, John Armitage et al.•What Comes after Entanglement?•2019

  • The Great Derangement

    Amítav Ghosh•The Great Derangement•2016

  • Slow Violence and the Environmentalism of the Poor

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  • Pockets

    Kathleen Stewart•Communication and Critical/Cultural…•2012

  • Introduction

    Stef Crap, Richard Crownshaw•Studies in the novel•2018

  • Climate Lyricism

    Min Hyoung Song•Climate Lyricism•2021

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    Ursula Heise, Jon Christensen et al.•Routledge Companion to the…•2017

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    Glenn A Albrecht, Glenn Albrecht•American imago•2020

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    Open Access•Sria Chatterjee, Jessica L Horton et al.•British Art Studies•2020

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    Timothy Clark, Timothy R Clark•American imago•2020

  • Worlding beyond 'the' 'end' of 'the world

    Open Access•Audra Mitchell, Aadita Chaudhury•International Relations•2020

  • Catastrophic Form and Planetary Realism

    Debjani Ganguly•New Literary History•2020

  • What Does Biodiversity Loss Feel Like? Realism in the Age of Extinction

    Adrienne Ghaly•New Literary History•2022

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    Lisa Duggan, José Esteban Muñoz•Women & Performance a journal of…•2009

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    Open Access•Caitlin Desilvey•Cultural Geographies•2012

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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