Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
Bibliographic Data
| ID | 7800664 |
|---|---|
| Authors | Norbert Schneider (0000-0002-9239-0610, Institut für Kunstgeschichte, Universität Karlsruhe, Englerstraße 7 D-76131 Karlsruhe, corresponding author) |
| Year | 2009 |
| Volume | 19 |
| Issue | 3 |
| Pages | 251-258 |
| Publication date | 2009-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Human Affairs (JOURNAL) |
| Journal identifiers | ISSN: 1210-3055 • E-ISSN: 1337-401X |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.2478/v10023-009-0038-4 |
| OpenAlex | W2061578099 |
| Language | EN |
| References cited | 19 |
Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich The paper deals with common elements and differences in Popper and Gombrich, especially concerning their forms of thought and presentational gesture. Among others it considers the model of common sense which was basal for both of them as well as the similarities of searchlight theory (Popper) and some postulates of Gestalt psychology (Gombrich). At the end it analyses their approaches to historiography with special focusing on Gombrich's comments on the concept of social history of art
Aesthetics · Epistemology · Gestalt psychology · Gesture · Linguistics · Perception · Presentational and representational acting · Art, Technology, and Culture · Philosophy · Philosophy, Science, and History · Scientific and Historical Analyses
Inquiries and Provocations
European Literature and the Latin Middle Ages
Essays on the Intellectual Powers of Man
Conjectures and Refutations
An Inquiry into the Human Mind on the Principles of Common Sense
Objective Knowledge
The Open Society and Its Enemies
An inquiry into the human mind, on the principles of common sense.
Truth and Logic
The Poverty of Historicism, I
The Poverty of Historicism
The Edinburgh Edition of Thomas Reid
Thomas Reid - Essays on the Intellectual Powers of Man
Mothersill and Gombrich on ';The Language of Art
| Citation velocity | historical |
|---|---|
| Highly cited | No |