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Anas’s Investigative Journalism and the Ethics of Uncovering Fakes in African Spaces

Bibliographic Data

ID7838920
AuthorsCaesar A Atuire (0000-0001-6825-6916, University of Ghana), Grace Addison (University of Ghana), Samuel Asiedu Owusu (0000-0002-9249-6036, Directorate of Research, Innovation and Consultancy, University of Cape Coast, Ghana), Patricia Kingori (0000-0001-5420-2183, University of Oxford)
Year2021
Volume33
Issue3
Pages312-319
Publication date2021-07-03
Open AccessNo
TypeARTICLE
VenueJournal of African Cultural Studies (JOURNAL)
Journal identifiersISSN: 1369-6815 • E-ISSN: 1469-9346
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2021.1940887
OpenAlexW3199916124
LanguageEN
Citations received4
References cited3

Investigative journalists sometimes resort to the use of fake identities in order to reveal fakes and malpractice, a phenomenon that can be described as revelatory fakery. Acclaimed investigative journalist, Anas Aremeyaw, in collaboration with BBC Africa Eye, employs revelatory fakery to expose and prosecute wrongdoers in Ghana. From an ethical viewpoint, Anas’s revelatory fakery, a second order fakery, becomes a seedbed for an exponential level of fakery. This article poses the question whether Anas’s work is journalism or instead yet another expression of fakery that allows a prosecutor to act as a journalist. This question is contextualised within the ethics of the broader narratives created by the BBC Africa Eye investigations, which feed and promote a spectacular but “fake” narrative about Africa as a place of negatives, difference, and darkness

Art · Journalism · Literature · Media studies · Narrative · Order (exchange · Political science · Sociology · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · Crime, Illicit Activities, and Governance · Law

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Citations per year1
Citation span2022 - 2026 (5)
Highly citedNo

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