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National Pleasures

The Fetishization of Blackness and Uruguayan Autobiographical Narratives

Bibliographic Data

ID7906145
AuthorsVannina Sztainbok (corresponding author)
Year2008
Volume3
Issue1
Pages61-84
Publication date2008-03-01
Open AccessNo
TypeARTICLE
VenueLatin American and Caribbean Ethnic Studies (JOURNAL)
Journal identifiersISSN: 1744-2222 • E-ISSN: 1744-2230
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17442220701865846
OpenAlexW2088021134
LanguageEN
References cited31

This article examines the autobiography of white Uruguayan artist Carlos Páez Vilaró, read contrapuntally with the autobiographical accounts of several Afro-Uruguayans contained in the book Historias de Exclusión: Afrodescendientes en el Uruguay, including that of late painter Ruben Galloza (1926–2002). I argue that the fetishization of the black figure–evident in Páez Vilaró, but speaking of and through a larger context–constitutes whiteness and circumscribes the experiences of those who embody blackness

Art · Art history · Biography · Context (archaeology · Literature · Narrative · Painting · Sociology · White (mutation · Cuban History and Society · Gender Studies · History · Latin American and Latino Studies · Politics and Society in Latin America

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