The Courage Registry
A Gateway to the Cultural Heritage of Eastern European Nonconformism
Bibliographic Data
| ID | 7918348 |
|---|---|
| Authors | Heléna Huhák (0000-0002-1643-7587, ELTE Research Centre for the Humanities, corresponding author), Lóránt BÓDI (0000-0002-8680-8232, ELTE Research Centre for the Humanities) |
| Year | 2021 |
| Volume | 26 |
| Pages | 138-146 |
| Publication date | 2021-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Martor The Museum of the Romanian Peasant Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1224-6271 • E-ISSN: 2734-8350 |
| Publisher | Muzeul National al Taranului Roman (PUBLISHER) |
| DOI | 10.57225/martor.2021.26.09 |
| OpenAlex | W3216721088 |
| Language | EN |
| References cited | 7 |
The COURAGE Registry is a digital research tool that allows exploring the legacy of cultural opposition in former Eastern European socialist countries by cataloging and describing relevant collections on dissident culture across Eastern Europe and worldwide. The linked database reveals a great variety of nonconformist cultural practices that were formerly largely unknown and promotes comparative research of similar phenomena in Eastern European societies and cultures. The researchers on the project tended to treat visual sources as traces of the past equally as important as written documents. Images were not only illustrations of the given narratives but, in some cases, visual documents were the only sources that preserved the memory of the alternative or underground activity, while in other cases, it was the act of taking pictures that resulted in the confrontation with official cultural policy. This article aims to provide insight into the basic dilemmas and issues that the project faced dealing with images for the database through three examples. Firstly, we focus on the photo documentation of an exhibition of the Hungarian art group Inconnu that was made by the secret police following the destruction of the artworks. Secondly, we show how photos were also taken by official photographers who operated in the so-called “grey zone.” Finally, our third example refers to Fortepan, a unique public initiative that focuses on the digital preservation of private photographs created between 1900 and 1990
Art · Courage · Cultural heritage · Documentation · Exhibition · Literature · Media studies · Narrative · Political science · Sociology · Visual arts · Computer Science · European history and politics · History · Italian Fascism and Post-war Society · Law · Memory, Trauma, and Commemoration
| Highly cited | No |
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