Naming, Claiming, and Framing Marie Chauvet
Bibliographic Data
| ID | 7920047 |
|---|---|
| Authors | Régine Michelle Jean-Charles (0000-0001-7851-451X, corresponding author) |
| Year | 2018 |
| Volume | 16 |
| Issue | 1 |
| Pages | 50-76 |
| Publication date | 2018-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Meridians (JOURNAL) |
| Journal identifiers | ISSN: 1536-6936 • E-ISSN: 1547-8424 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.2979/meridians.16.1.07 |
| OpenAlex | W2774295577 |
| Language | EN |
| Citations received | 1 |
| References cited | 9 |
This essay offers a metacritical reading of the discourses surrounding Haitian author Marie Chauvet (1916–1973). I argue that paying attention to the naming (how she is described), claiming (how scholars and authors define their investment in her work), and framing (how her work is analyzed by scholars) of Chauvet reveals a dominant discourse that influences our study of the author. Taking a feminist approach to the interpretations of her work, I argue that ultimately these Chauvet narratives reveal more about anxieties surrounding gender than they do about her body of work
Art · Epistemology · Literature · Narrative · Sociology · Caribbean and African Literature and Culture · Colonialism, slavery, and trade · Gender Studies · History · Philosophy · Postcolonial and Cultural Literary Studies
En marge de Fonds-des-Nègres de Marie Chauvet
"A Sociological Counter-reading of Marie Chauvet as an "Outsider-Within
"Black" Radicalism in Haiti and the Disorderly Feminine
Staging a Dictatorship
My Love Is Like a Rose
Madness and the Mulâtre-Aristocrate
Haitian Women's Fiction
Haitian Literature After Duvalier
Erma Saint-Gregoire
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |