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A collective response

Feminism, film, performance and Greenham Common

Bibliographic Data

ID7927438
AuthorsLucy Reynolds (0000-0003-2355-9467, University of the Arts London, corresponding author)
Year2015
Volume4
Issue1
Pages90-101
Publication date2015-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMoving Image Review & Art Journal (MIRAJ (JOURNAL)
Journal identifiersISSN: 2045-6298 • E-ISSN: 2045-6301
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/miraj.4.1-2.90_1
OpenAlexW2736353518
LanguageEN
Citations received2
References cited3

This article examines the part played by four film and video artists as chroniclers as well as participants in the civic struggle against nuclear weapons, providing alternative documents of the women’s camp at Greenham Common to those of the official media record. For, as the article will discuss, the model of protest at Greenham was uniquely indebted to, and characterised by, the models of non-violent resistance developed through post-war feminism. As part of this, a strategy of creative resistance had an important role to play: through song and poems, through banners, paintings and drawings; by amateur and professional artists. However, the film and video documents of Greenham Common by Tina Keane, Joanna Davis and Lis Rhodes, and Annabel Nicolson, on which this article will focus, are not concerned solely with advocacy for anti-nuclear and political protest, but rather, Greenham proved inspirational for them on an individual basis, enabling them to meaningfully explore how feminist principles might be folded into their experimental practices

Amateur · Art · Feminism · Literature · Media studies · Painting · Poetry · Political science · Politics · Sociology · Visual arts · Gender Studies · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Law · Political and Economic history of UK and US

  • The front of the back

    Esther Harris•Moving Image Review & Art Journal…•2024

  • Audiovisual Analysis of Insanity and Liminality in Video Art of the Second Half of the XXTH Century

    Open Access•D O Martynova, Arseniy A Ageev•Articult•2022

  • Disarming patriarchy

    Sasha Roseneil•Disarming patriarchy•1995

  • Women's Reflections

    Louise Krasniewicz, Jan Rosenberg•Contemporary Sociology A Journal…•1984

  • Greenham Common

    Sue Gorbing, Helen Parsonage et al.•Feminist Review•1985

Unique citing works2
Citations per year0.5
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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