The Habitus of Heritage
A Discussion of Bourdieu's Ideas for Visitor Studies in Heritage and Museums
Bibliographic Data
| ID | 7928233 |
|---|---|
| Authors | Bella Dicks (Cardiff University, corresponding author) |
| Year | 2017 |
| Volume | 14 |
| Issue | 1 |
| Pages | 52-64 |
| Publication date | 2017-06-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Museum and Society (JOURNAL) |
| Journal identifiers | ISSN: 1479-8360 • E-ISSN: 1479-8360 |
| Publisher | University of Leicester (PUBLISHER • GB) |
| DOI | 10.29311/mas.v14i1.625 |
| OpenAlex | W2339993427 |
| Language | EN |
| Citations received | 15 |
| References cited | 16 |
This article argues that Pierre Bourdieu’s conceptual framework of habitus, field and symbolic capital has much to offer museum and heritage visitor studies. However, rather than focusing on his well-known critique of high-cultural taste, the discussion here concerns displays of the ‘ordinary’ and social histories - of occupations, crafts, places, communities. Habitus reveals how visitors to such sites are involved in making value judgments, not solely of aesthetics but also of the social identities on display. In particular, it directs analytic attention to the active positions that visitors take up during the visit. Instead of focusing on their immediate actions and responses, however, or on exhibitions alone, I approach the visit as a moment in a person’s life, where a relationship is constructed between an individual biography, a social field that assigns value to different identities, and the particular set of symbols encountered during the visit. It is suggested that these are appropriated as symbolic ‘tokens’ in accordance with individuals’ practical relation to the world they inhabit. Past experience, memory, and class become crucial here, as these illuminate the subjective stances visitors adopt to the symbols on display, which also involve important affective and non-ideational dimensions. Data from prior visitor research conducted by the author are reanalyzed to illustrate the points made. The aim is to show how visiting is a social practice that mobilises symbolic dimensions of memory and class experience, one which cannot be understood by examining exhibit-visitor interactions in isolation.Key words: visitor studies, heritage, museums, Bourdieu, habits, symbolic capital
Aesthetics · Art · Cultural capital · Epistemology · Exhibition · Habitus · Social science · Sociology · Symbolic capital · Visitor pattern · Visual arts · Computer Science · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · Museums and Cultural Heritage
Datafying Museum Visitors
Unfolding local community
Communautés locales en devenir
National representations in digital heritage exposure
Changing the field
‘People-Place-Process’ and Attachment in the Museum
Changing Places, Changing People
Cultural capital and income inequality across Italian regions
Such pushing and shoving… and the smell! Why ever would they allow these people in to the Academy” sociability and body language of Madrid's museums visitors (19th century)
Beyond Measure? Disability Art, Affect and Reimagining Visitor Experience
The value of the ‘undisciplined’
Recognising and valuing student engagement in science museums
The use of emotion regulation by visitors to contemporary art commissions in heritage sites
Making space for co-creation
The Lives Have It
The love of art
Voices of Collective Remembering
Using the contextual model of learning to understand visitor learning from a science center exhibition
Exhibiting cultures
Distinction
The Sociology of Art
Distinction
Outline of a Theory of Practice
The Logic of Practice
Decoding the Visitor's Gaze
Reproductions, cultural capital and museums
The Social and the Aesthetic
Performing the Hidden Injuries of Class in Coal-Mining Heritage
The social space and the genesis of groups
| Unique citing works | 15 |
|---|---|
| Citations per year | 1,67 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 14 |