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The mummy and the medical gaze

Digital visualisations in the British Museum’s exhibition Ancient lives, new discoveries

Bibliographic Data

ID7928579
AuthorsK Wagner (0000-0001-7775-5741, University of Gothenburg, corresponding author)
Year2017
Volume32
Issue2
Pages160-175
Publication date2017-03-15
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMuseum Management and Curatorship (JOURNAL)
Journal identifiersISSN: 0964-7775 • E-ISSN: 1872-9185
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09647775.2016.1273131
OpenAlexW2561882974
LanguageEN
Citations received1
References cited16

The British Museum’s exhibition Ancient lives, new discoveries (2014–2015) is analysed from the point of view of how medical imaging was used to convey new knowledge about mummies and ancient history to the general public. Real mummies were on display together with interactive visualisations. The dramaturgy was based on eight mummies’ life stories and the audience was encouraged to identify with the mummies as individuals. However, the article argues that the visualisations are not neutral tools, but are based on a certain way of seeing, what Michel Foucault called the ‘medical gaze’ – a distancing gaze applied by doctors that separates the body of the patient from the individual. The prestige and credibility claims of the visualisations are also discussed, as well as the performative and interactive aspects of the exhibition. The article concludes by suggesting that visitors could oscillate between two positions, peers and doctors, and that a third position, as a new kind of discoverer, is a latent possibility

Aesthetics · Art · Exhibition · Gaze · Performative utterance · Visual arts · Computer Science · Empathy and Medical Education · History · Museums and Cultural Heritage · Paleopathology and ancient diseases

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Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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