Notes on Adorno’s ‘Musical Material’ During the New Materialisms
Bibliographic Data
| ID | 7929487 |
|---|---|
| Authors | Samuel Wilson (0000-0001-9113-7763, Guildhall School of Music and Drama), Samuel J Wilson (0000-0001-8780-6266, Guildhall School of Music and Drama, corresponding author) |
| Year | 2018 |
| Volume | 99 |
| Issue | 2 |
| Pages | 260-275 |
| Publication date | 2018-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music and Letters (JOURNAL) |
| Journal identifiers | ISSN: 0027-4224 • E-ISSN: 1477-4631 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/ml/gcy002 |
| OpenAlex | W2902152294 |
| Language | EN |
| Citations received | 2 |
| References cited | 9 |
In this article I develop a dialogue between Theodor W. Adorno’s concept of musical material and aspects of ‘new materialist’ thinking. Correspondences and tensions are explored within and between Adorno’s materialism and contemporary materialist perspectives (with particular reference to Jane Bennett’s ‘vital materialism’). Three main issues are discussed. First, musical materials and materialities are considered as not only passive but, potentially, as active forces in compositional processes. Second, dualisms are considered with respect to compositional practices, discussions of musical material, and their ultimate problematization. Third, the question of compositional agency is explored. Through a dialogue between Adornian and other materialisms, it is suggested that agency may not be solely the ‘possession’ of the composer: it is also observed in a series of diverse material and historical relations.
Aesthetics · Art · Literature · Musical · Art, Politics, and Modernism · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |