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Odysseus and Adorno

A Note on Cunning and Dialectics

Bibliographic Data

ID7932013
AuthorsWilliam S Allen (0000-0002-4731-2955, corresponding author)
Year2024
Volume51
Issue3
Pages1-19
Publication date2024-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-11309158
OpenAlexW4404750066
LanguageEN
References cited16

The reading of the Odysseus excursus in Dialektik der Aufklärung has been hampered by the insistence that the character of Odysseus is merely a prototype of bourgeois instrumental reason. However, this characterization fails to grasp the full breadth of the dialectic of myth and enlightenment, and overlooks the significant role played by Odysseus’s cunning in the development of reason. In addressing these problems, it becomes apparent that cunning is a form of mimetic intelligence and bears its own form of dialectic, which has implications for the understanding of Adorno’s later works

Aesthetics · Art · Dialectic · Epistemology · Literature · Critical Theory and Philosophy · Philosophy · Philosophy, Ethics, and Existentialism

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    Axel Honneth, Kenneth Baynes•The Critique of Power•1993

  • Adorno, Aesthetics, Dissonance

    William S Allen•Adorno, Aesthetics, Dissonance•2022

  • From Villain to Hero

    Silvia Montiglio•From villain to hero•2011

  • Social Philosophy after Adorno

    Open Access•Lambert Zuidervaart•Social philosophy after Adorno•2007

  • Adorno

    Open Access•J M Bernstein•Adorno•2001

  • The philosophical discourse of modernity

    Jürgen Habermas•The philosophical discourse of…•1987

  • Back to Adorno

    Robert Hullot-Kentor•Telos•1989

  • Reason, power and history

    Open Access•Amy Allen•Thesis Eleven•2014

  • The Death of the Sirens and the Origin of the Work of Art

    Albrecht Wellmer•New German Critique•2000

Citation velocityhistorical
Highly citedNo

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